Movie : Saripodhaa Sanivaaram
Rating : 2.5/5
Banner : DVV Entertainment
Cast : Nani, Priyanka Arul Mohan, SJ Suryah, Abhirami, Sai Kumar, Murali Sharma, Subhalekha Sudhakar, Harsha Vardhan, Vishnu, Ajay Ghosh, Shivaji Raja, Ajay, and others
Music : Jakes Bejoy
DOP : Murali G
Editor : Karthika Srinivas R
Art Director : GM Sekhar
Action : Ram-Laxman, Real Satish
Producers : DVV Danayya, Kalyan Dasari
Written and Directed by : Vivek Athreya
Release Date : August 29, 2024
Saripodhaa Sanivaaram comes with high expectations, thanks to Nani’s recent success streak and his enthusiastic promotion of the film as an action-packed drama with a novel screenplay. But does it live up to the hype? Let’s delve into it.
Story :
Set in the fictional village of Sokula Palem, the film follows Surya (Nani), an LIC agent struggling with anger management. After his mother’s passing, he vows to only let his anger surface on a specific Saturday, but only if truly necessary.
Inspector Daya (SJ Suryah) is the story’s antagonist, a merciless cop who terrorizes the villagers of Sokula Palem. Charulatha (Priyanka Mohan), a compassionate constable, finds herself drawn to Surya after he intervenes to save a woman from Daya’s wrath. The narrative then focuses on how Surya, with Charulatha’s support, channels his anger to help the oppressed people of Sokula Palem.
Performances :
Nani delivers a solid performance, especially in the emotional scenes, but it’s SJ Suryah who stands out. His portrayal of the ruthless cop is engaging and adds much-needed energy to the film. The chemistry between Nani and Suryah, particularly during their confrontations, is one of the highlights. Murali Sharma also leaves a mark as a politician. Priyanka Mohan does justice to her role, and Sai Kumar impresses as Nani’s father. However, the rest of the cast, including Abhirami as Nani’s mother, don’t get much screen time.
Technical Aspects :
The film excels in its technical departments. Murali G’s cinematography, especially in action sequences, is impressive, creating a distinct mood through lighting. Jakes Bejoy’s background score adds depth, though the songs are forgettable. The production design is top-notch, but the film’s lengthy runtime is a drawback.
Pros :
– SJ Suryah’s standout performance
– Gripping interval and other key episodes
– Effective background score
Cons :
– Weak climax
– Prolonged sequences
– Overextended runtime
Analysis :
Saripodhaa Sanivaaram starts with an intriguing premise but quickly falls into familiar territory. The concept of releasing anger on a specific Saturday is unique, but once the plot introduces the antagonist Daya and the village of Sokula Palem, it becomes a conventional mass film.
While there are flashes of director Vivek Athreya’s signature style, particularly in the backstory and certain sequences, the film ultimately follows a predictable path. Some moments, like the intermission episode, are engaging, but the overall narrative feels stretched and repetitive.
The film shines in parts, especially in the way certain scenes are crafted and how some plot elements come full circle. However, the reliance on typical mass film tropes and the excessive length weigh it down. The climax, in particular, is a letdown, diluting the impact of the earlier scenes.
In the end, Saripodhaa Sanivaaram is a mixed bag. It offers some memorable moments but doesn’t quite live up to its potential. Watch it for SJ Suryah’s performance and a few standout episodes, but be prepared for a lengthy viewing experience.
